Who is a friend? Who is an enemy? The confusion of 1970s détente policies are reflected in this unusual film experiment made by Norwegian multi-disciplinary avant-garde artist Erik Løchen. At the heart of “Remonstrance” is a film crew working on a drama about secret alliances and political assassinations. Løchen – the grandfather of director Joachim Trier (“Thelma”, NFL 2017) – couples that narrative with a second level, on which the actors behind the film production step forward, so the film takes on the character of a labyrinth. But Løchen is most inspired by Jean-Luc Godard, although the Norwegian director far outstrips his idol in terms of radicalness. He has structured the “plot” in such a way that the five reels of his film can be shown in any order, meaning that there are 125 possible versions of “Remonstrance”.